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Don't be a dick, and use your better judgment. Personal attacks, trolling, and bigotry will result in bans. Regardless of the scenario, all posts and comments are subject to removal. Kendrick’s latest stands on the shoulders of great audio works like Public Enemy’s It Takes A Nation Of Millions To Hold Us Back, Nas’ Illmatic, NWA’s Straight Out Of Compton and others like OutKast’s Aquemini.Be kind to others. There is no question, it takes several listens (and maybe reference materials) to properly digest To Pimp a Butterfly.Īs evidenced by To Pimp a Butterfly, there are more important matters surrounding this work of art created in a time when most rap albums are in a vacuum apart from real life. Nevertheless, in an era of social media critics and groupthink, the album is already being lauded as a candidate for album of the year. Whether it is a classic in the truest sense of the word will be determined in the annals of time. The dialogue is a bridge between generations. The most interesting moment of this album takes place in the outro, when Kendrick casually converses about industry troubles and the ills of the world with the legendary Tupac Shakur. “For Sale? (Interlude)” is a odd psychedelic adventure, where as “For Free?” is an abusive, frenetic jazz session that foreshadows a pending internal struggle. One of the many distinctive, understated elements of this To Pimp a Butterfly are the interludes. On “u” he turns the castigation inward in a most scathing way, screaming “loving you is complicated!” On this track, he takes the Black community to task. “Blacker than the heart of an A#”? Kendrick said that. The bold, brash, and proud “The Blacker The Berry” is certainly the heavy hitter of To Pimp a Butterfly, which is wrought with thick themes of Black Nationism. The legendary Pete Rock also contributes vocals on the hook on this Terrace Martin-produced track. “Complexion (A Zulu Love),” which features 9 Wonder’s protegee Rapsody, combats the archaic concept of colorism in the Black community. He’s starin’ at me, I notice that his stare is contagious Like I’m the reason he’s homeless and askin’ me for a favor He’s starin’ at me, his eyes followed me with no laser My temper is buildin’, he’s starin’ at me, I grab my key He’s starin’ at me, I started the car, then I tried to leaveĪnd somethin’ told me to keep it in park until I could see The reason why he was mad at a stranger Like I was supposed to save him Kendrick ‘s storytelling is a lyrical clinic as he spits a conversation with God, a critic of the young rapper’s lack of empathy and humility. “How Much A Dollar Cost?” is Kendrick at his most potent and may be the best song on To Pimp A Butterfly.
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On this track Pharrell and TDE’s own Sounwave compose a great instrumentation that Kendrick rides effortlessly. On a lighter note “Alright,” is a potential radio banger on the album that is sure to have people chanting the rousing contagious chorus nationwide.
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On “These Walls,” Kendrick weaves a vivid story of sex, rage, and revenge, accompanied by jazzy production by Terrace Martin (a mainstay on the album), and Larrance Dopson. The song, dedicated to Wesley Snipes, is a cautionary tale of the African American entertainer – the butterfly – and the financial pitfalls that ensnare many as they rise to the top. To Pimp a Butterfly starts as an old school singer melodically croons “Every ni**a is a star,” right into “Wesley’s Theme,” a funk-filled jam that features George Clinton and Dr. Kendrick stretches his creative legs all the way out on this one, an indication that a new beginning is here. Kendrick is the proverbial paradigm shift of his generation and the 28-year-old has now released his most recent opus, To Pimp A Butterfly. It has seemed like an eternity since a young native of Compton, CA took the world by storm a maelstrom that culminated on Octowith the release of good kid, m.A.A.d city.